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Red Headed Stranger tells the story of a preacher who murders his adulterous wife and her lover, afterward wandering the country in despair. Nelson was ready to leave Music Row completely behind, and his concept for the record was as dreary and odd to most people as the songs’ jazzy, spartan arrangements. When it was released in May 1975 it changed country music history and, in the process, turned Willie Nelson the songwriter into Willie the transcendent Lone Star Icon.

And Autumn Sound’s legacy remains intact in Red Headed Stranger, which is one hell of an honor.

Although York and the other staff all moved on, in 1981 the space became Audio Dallas, which operates in Garland to this day. In January of 1975, with a new deal from Columbia Records that included complete control over the finished product, Nelson set up shop at Autumn Sound and recorded a morose concept record which hardly resembled the lavishly produced country sounds of the time.Īutumn Sound is long-since gone, but it has carried on in other forms. But it would only be a few months before the Abbott native ascended to household-name status. When Nelson’s record deal with Atlantic ended, he was left looking for a new label to call home, as Atlantic wasn’t ready to grant Nelson the creative freedom he sought. The Bob Wills devotee, not yet sporting his famous pigtails, was finally being recognized for his own recordings and not just his writing. Regardless, Nelson had established himself as a promising recording artist.

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But neither now-revered record managed to crack the top 30 on Billboard’s country albums chart. Prior to 1975, Nelson had made it onto the country music map by writing a few hit songs and also releasing the divorce-themed concept record Phases and Stages and the country-funk gem Shotgun Willie.

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In short order, York offered Nelson a free day of studio time, and the wheels of music history turned.Īs we celebrate the 40th birthday of Nelson’s seminal Red Headed Stranger, it’s important to note that Nelson hasn’t always been the definition of Texas cool we know him as today. That Texan was Willie Nelson, and his harmonica player, Mickey Raphael, had been hanging around Autumn Sound and felt it would be a fine place to lay down Nelson’s next record.

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In later years York became well-known, as accomplished an engineer as anyone, and he had an idea about how to draw in some big-name business.Īs luck would have it, a high-profile Texan was searching for the perfect studio where he could make a statement. The recording studio, operated out of an otherwise ordinary shopping center in Garland, featured a 24-track studio console - reportedly the first of its kind in Texas - and it had a secret weapon in the form of its engineer, Phil York. Her sophomore album, 'Punisher,' earned her four Grammy nominations including for best new artist at the 2021 ceremony.As 1974 rolled into 1975, Autumn Sound was in serious need of business. If the court denies the motion, the case is expected to have its first hearing on March 10 in Los Angeles Superior Court.īridgers released her first studio album, 'Stranger in the Alps,' in 2017.

The 27-year-old singer is requesting that Nelson pay attorney fees and court costs if the court approves the motion. Bannon's statements' at the time and still believes them to be true. In Bridgers' declaration, she said she 'believed Ms.

USA TODAY reached out to Nelson's lawyers for comment.Ĭhris Nelson lawsuit: Phoebe Bridgers sued for $3.8 million by producer alleging defamation, past relationshipĪccording to Nelson's lawsuit, which seeks at least $3.8 million in damages from Bridgers, the producer claims Bridgers posted statements in 2020 to her public Instagram account stating she 'witnessed and can personally verify much of the abuse (grooming, stealing, violence) perpetuated by Chris Nelson.' Nelson also accused Bridgers of directing her followers to his former girlfriend Emily Bannon's page which contained posts accusing Nelson of racially-motivated hate crimes, robbery and assault. 'I continue to believe the statements that I made were true.' 'I believe that the statements I made in my Instagram story are true,' Bridgers wrote. Bridgers, on Monday, also submitted a declaration doubling down on claims she made against Nelson on social media years prior. Bridgers' lawyers moved that Nelson cannot meet his burden of proof for defamation because their Grammy-nominated client did not act in actual malice, meaning she did not publish statements on social media that she knew were false.

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